Friday, September 11, 2009

Gary Glazner's Alzheimer Poetry Project expands to Germany

Gary Glazner, recent picnic reader and writing workshop instructor, posted this message about the Project's German launch to the Alzheimer's Poetry Project on Facebook. The exercise Gary describes will be of particular interest to workshop participants:

The launch was a smashing success! Six poets, three health care worker and a representative from the German Alzheimer's Association received three hours of training in a hands-on workshop in using poetry with people living with dementia. The event was the subject of a public radio show which aired yesterday and will continue being broadcast throughout the weekend in a number of markets and was featured in today's Marburg newspaper.

Five people in various stages of dementia participated in the workshop. Those are the numbers, real and necessary for any report and for a clinical description, we might say we saw positive facial expressions strong verbal response and increased sociability. That two of the people participating in the session exhibited spontaneous recitation of poems they knew. But it does not give the emotional impact on the poets and the participants.

We opened with the poem that thus far every German asked knows, "Alle Meine Enchen." Lars Rupple the Marburg Poetry Slam organizer, gave a brilliant introduction, talking about how when he was young he really did not like poetry, how he was forced to learn poetry in school, how for him the poem he most remembered was not by a famous poet like Rilke but this little rhyme, he remembers his mother singing. He asked who each person's favorite poet was and then launched into Alle meine Enchen and everyone started laughing as one of the poets began to do a duck walk. Four of the participants sang along.

Then came a Heinz Erhardt poem about a cow, Eine Kuh, which ended with Lars and one of the poets Felix Romer having a contest to see which of them looked more like a cow. Then another hilarious poem by Erhardt about Maggots. Our theme as you have guessed by now was animals. Erhardt is similar to Shel Silverstein in humor and style.

We composed a group poem by asking if, "You were a bird where would you fly and what would you see?" We used Die Vogel Hochzeit, and Fiderallalla, as inspiration and as a sort of chorus singing it before each person was asked the prompt. One woman said, "I can't fly, my arm is hurt, my shoulder is sore." At the end of the session she said, "When I hear the poetry, my arm doesn't hurt any more." Another woman at first said she would not fly any where." When Lars came back to her he asked if she would fly to a church, and she replied, "No, I would fly into your hair!" At that moment with everyone laughing and Lars pulling and shaping his hair into a nest it felt like there was no dementia in the room.

We ended the session with Ode an Die Freude, by Friedrich Schiller and then Es ist Schon by Felix Romer.At the start of the session one of the women was unresponsive when the poets said hello to her. For most of the session she had her eyes closed. Her face was stiff, showing no emotion. Felix sat next to her and through out the session made contact with her by touching her arm and repeating to her what was happening and what people were saying. At the end she had a small but distinct smile and nodded her head yes when asked if she would like the poets to return. On Monday we workshop in Berlin!


Thursday, September 10, 2009

When Science & Poetry Were Friends

Review of The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science by Richard Holmes
Pantheon, 552 pp.

The Age of Wonder means the period of sixty years between 1770 and 1830, commonly called the Romantic Age. It is most clearly defined as an age of poetry. As every English schoolchild of my generation learned, the Romantic Age had three major poets, Blake and Wordsworth and Coleridge, at the beginning, and three more major poets, Shelley and Keats and Byron, at the end. In literary style it is sharply different from the Classical Age before it (Dryden and Pope) and the Victorian Age after it (Tennyson and Browning)....

During the same period there were great Romantic poets in other countries, Goethe and Schiller in Germany and Pushkin in Russia, but Richard Holmes writes only about the local scene in England.... [T]his book is primarily concerned with scientists rather than with poets.... The scientists of that age were as Romantic as the poets. The scientific discoveries were as unexpected and intoxicating as the poems. Many of the poets were intensely interested in science, and many of the scientists in poetry.

[I]n 1833, the word "scientist" was used for the first time instead of "natural philosopher," to emphasize the break with the past.... Holmes's history of the Age of Wonder raises an intriguing question about the present age. Is it possible that we are now entering a new Romantic Age?

When Science & Poetry Were Friends - The New York Review of Books

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Thursday, September 3, 2009

Call for Broadside Submissions

Broadsided is looking for evocative, riveting (but not so esoteric as to be inaccessible) poetry & prose. What are Broadsides and where do they appear? They are out on the streets, online and any manner of unexpected places to be read by anyone coming across them. That said, Broadsided wants smart, difficult work that challenges and speaks strongly.


The Telephone Pole: A
Broadsided Classic

Where have Vectors posted? Lots of places. Clicking an image in this online gallery of vectorized broadsided will give you a larger version. Anyone can be a vector or Broadside distributor. I'm an online vector, posting on Mountainair Arts, tweeting and elsewhere online. Broadsiding here would be too much like carrying coals to Newcastle, wouldn't it? But wouldn't it be neat - and complete the circle - to broadside your poetry, prose or artwork?

Coffee shops are a perfect spot
to Vectorize

Switcheroo Deadline, October 5. The finished Broadsided publication will be posted November 1, 2009. Email submissions welcome at any time: check online guidelines.

Tuesday, September 1, 2009

Auden's Poem to Humanity

Today is September 1 and The Nation very appropriately showcases Auden's poem to commemorate the event it lamented. A favorite of mine too if only because I might have frequented that same dive on 51st St.

"Seventy years ago today, the military might of Nazi Germany was thrown against the free state of Poland. Hitler's planes, troops and tanks swept across the northern, southern and western borders of the nation....World War II had begun"

Let us recall it again with Auden as our guide:

September 1, 1939

I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
....
We must love one another or die

and the rest + a fine commentary
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