Tuesday, August 19, 2008

Poetry of Place

This year's Sunflower Writing Workshop theme - less planned than organically evolving into - would seem to be emerging as PLACE and the poetry of place.



Poetry of place localizes yet, for all that, is universal and timeless. Pausing in one place to observe, reflect, absorb refreshes us from the effects and exhaustions of restless progress. Contemporary and especially US culture and literature value moving on - literal and figurative road trips, lighting out for the territory ahead of the rest, instead of staying in one place and knowing it well. Still, our identity remains tied to place: We don't know who we are unless we know where we are.

About Poetry of Place
A poetry of place is a poetry which values locales, which sees and lets the reader experience what makes a place unique among places. Much contemporary poetry focuses on psychological states, feelings, intellectual concepts, or language play totally devoid of reference to the real, lived, sensually experienced and infinitely varied physical world. Poetry of place may focus on such interior subjects, but it lets us experience them more profoundly and more authentically because theyíre rooted in a specific time and place.

In its fullest sense, the term "place" in poetry includes not only the geographical location and natural environment, but the history of human presence and before. "Place" includes the people living there now, and, as in all poetry, the voice of the speaker of the poem. As Leslie Marmon Silko says, "Viewers are as much a part of the landscape as the boulders they stand on." The speaker may be passing through, or better yet, a longtime resident of a place

More
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Dale's Manzano Sunflowers, keynote poem for both Sunflower Festival and Poets & Writers Picnic, is a place poem.

Yet poetry of place is not exclusively rural landscapes and nature. My own favorites are urban, possibly the lingering effect of a dissertation on cityspace in literature (poetry and novels).

Baudelaire and "Le cygne" hold a special place. Swan/sign evokes multiple times and places from the poet's remembering of a single moment observing an escaped swan in the Place du Carousel. But Cavafy's Alexandria poems take first in my personal poetry & place sweeps. Too many poems vying for preference for me to choose one and stick with it. Sometimes it's "The City," another time "Waiting for the Barbarians," "Exiles" yet another - and so many more. Cavafy's Alexandria poems do more than evoke place: they conflate time in that space. Alexandria, palimpsest.

Cavafy writes, "It goes on being Alexandria still" (Exiles, 1914), referring not to Alexandria in his time but to the one ruled by Emperor Basil, Byzantium. I re-read it here and now in the 21st century, a continent, an ocean and nearly a century away from Cavafy's, and am transported back to Alexandria in the 60s, perhaps taking an Italian ice at Groppi's (still there too) and listening to Greeks waxing nostalgic about pre-War II Alexandria in much the same terms: "However much smaller it has become, it is still a wonderful city"


What's your favorite poem of place?

Wednesday, August 13, 2008

Introducing: LuLu

What's in a name?
Well, what's in two?
Quite a bit
If the name is Lou.

At first glance, Lou Blackwell and Gregory Louis Candela appear an unlikely musical duo. Greg, a Professor of English, poet, and guitarist with a rich voice that can easily handle smoky vocal solos, seems a natural fit for a coffeehouse folk/blues setting. Lou, an electrical engineer, has played string bass in bluegrass, Western, Celtic, swing, and contra dance bands, but his current passion is playing old-time fiddle, with an occasional turn on mandolin and vocal harmonies.



But good music creates common ground, and so does coming of age in the same "musical generation," one that includes Paul Simon, Neil Young, the Kingston Trio, Arlo Guthrie, and the Fab Four. Greg and Lou have blended their differing performance styles with traditional tunes and nostalgic favorites to build an eclectic repertoire that can vary from a moody rendition of "Scotch and Soda" to the lively fiddle tune "Whiskey Before Breakfast."

Finding the right musical blend was easier for the duo than deciding what to call themselves. Of course, a poet like Greg would immediately note the similarity in names. After flirting with various combinations (Lou-Lou for club dates? Halle-lou-lou for church gigs?), it took another poet, Dale Harris, to point out that "Lulu" is an obvious choice if you read Webster's definition of the word: "something remarkable or wonderful." Whatever the name, come ready for a lulu of a performance.

Copy by Shirley Blackwell... always a bonus not to have to outsource copy

Tuesday, August 5, 2008

Introducing: Lou Liberty

Lou was writer in residence at the Rio Grande Nature Center State Park during its 25th anniversary year in 2007. The result, Lou’s recent book, Bearing Witness: 25 Years of Refuge, with artist, Margy O’Brien, celebrates the Rio Grande Nature Center State Park.



She also practices mindfulness, writing, and taiko drumming in Albuquerque's North Valley, and is the author of numerous works including prose, poetry and history. Lou is a two time National Endowment for Humanities recipient and a master storyteller.

Monday, August 4, 2008

Introducing: Merimee Moffit

Merimee Moffit promises a link leading us to text delights, but in the meantime offers this tantalizing bit of bio...

My only ambitions as a child, teen, and young adult were to be a saint (1st), a beatnik (2nd), and educated (3rd). I've accomplished all but the first one though teaching eight years in APS eighth grade classes may have been a qualifier for 1st. I'm published in Oasis Journal 05 &06, American Open Mic II, The Fourth Genre, Earthships Anthology, the upcoming Harwood Anthology, and our local Rag (thx to Carol Lewis--mentor extrordinair). I have four kids, almost four grandkids (the 4th almost here), and a patient and wise husband. I'm working on a finished memoir of my wild years. I was named after Prosper Merimée, French short story writer and historian.

http://mountainair-online.net/Poets_and_Writers_Picnic/Moffitt_hermark2008_32.jpg

Saturday, August 2, 2008

Introducing: Hakim Bellamy



Hakim Bellamy is a two-time National Champion in the Poetry Slam scene. He was a member of the 2005 National Poetry Slam Champs Team Albuquerque in his first year of poetry slam, 6 months after his first ever slam, which he also won. The following year he was a member of the 2006 College Unions Poetry Slam Invitational Champs Team UNM. One Albuquerque City Championship (2005) and 3 consecutive University of New Mexico LOBOSLAM titles later.

Hakim respects the blessing, but could care less about winning poetry slams, as opposed to cultivating creativity. Hence, he is in the process of adding playwright and actor to a resume that already includes: freelance journalist, community organizer and social justice advocate. Hakim’s poetry and journalism have been published internationally as well as his radio journalism on KUNM 89.9FM out of Albuquerque, NM.

Currently, Hakim works for the New Mexico Office of African American Affairs and is a board member for Poetic Justice Institute and Black Cowgirl Productions as well. He is most proud of being the Poetry Club coach at South Valley Academy . His poetry has been published on Albuquerque inner-city buses as a winner of the RouteWords Competition (2005) as well as in the Harwood Anthology (2006), the Earthships Anthology (2007), Sin Fronteras Journal (2008) and A Bigger Boat (UNM Press 2008), about the Albuquerque Slam scene. In January, Bellamy was recognized as an honorable mention for the University of New Mexico Paul Bartlett Re Peace Prize for his work as a community organizer and journalist.

http://mountainair-online.net/Poets_and_Writers_Picnic/bigger_boat.jpg

For more information, please visit:
www.myspace.com/hakimbellamyazhizelf
www.digiflowz.net
scene. He was a member of the 2005 National Poetry Slam Champs Team Albuquerque in his first year of poetry slam, 6 months after his first ever slam, which he also won. The following year he was a member of the 2006

With my own two hands...

Two hands do the most damage
When they are held in pockets

Impotent actions are less fertile than whimsical fucks
One night stand…

With keys on it
The other night stands alone
Formerly partner to a plane ticket and a passport

At least we can leave mistakes made
At least rough, rugged and raw sided mountains give leverage
Some footing to push off from into a sea of growth
At the very least we can learn how to kick our own asses
Learn the launch sequence to picking ourselves up

We learn more about our chemistry that way
Formulas that mix mistakes with whiskeys however sour
Confuse highs with balls
Mix tequilas and sunrises
Tequilas and sunrises
Tequilas after sunrise after sunrise after sunrise

That never lead to asking the future for her hand
That never lead to asking the future for a dance
Sunrise after sunrise of never making a pass at chance
Failures as seductive as successes ‘cause it is the suspension of foreplay
The erotica of being hung and pierced at the same time…that really makes you blow your
wad

Puddle your seat
It’s the lifting that makes you feel something
The pull and pinch, the release of endorphins, YES YOU ARE ALIVE!
The rising you never have to do unless you fell
The rising you never know how to do unless you fall

So fall
With both arms extended, doing something
Realizing the gravity of our existence
We were put down here on earth to get up

Armed to break falls and build skyscrapers
Whether make miracles or mistakes
With open arms we can
make something.
© Hakim Bellamy July 16, 2008


More poems to come from Hakim ....
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